Round Auguste Bénard – The Golden Age of Posters in Liège – Liège

  • https://www.liege.be/fr/vie-communale/services-communaux/tradition/evenements/autour-d-auguste-benard-l-age-d-or-de-l-affiche-a-liege
  • Round August Bénard – The Golden Age of Posters in Liège
  • 2022-09-19T10:30:00+02:00
  • 2022-09-19T17:00:00+02:00
  • Between 1880 and 1914, Western Europe skilled some of the affluent durations in its historical past. The emergence of artwork nouveau and the event of many creative circles will help the expression of artists in numerous fields. The industrial and promoting calls for of the Industrial Revolution mixed with the development of lithographic methods and the poster attracted the curiosity of skills who wished to make it a method of creative expression.

Between 1880 and 1914, Western Europe skilled some of the affluent durations in its historical past. The emergence of artwork nouveau and the event of many creative circles will help the expression of artists in numerous fields. The industrial and promoting calls for of the Industrial Revolution mixed with the development of lithographic methods and the poster attracted the curiosity of skills who wished to make it a method of creative expression.

Within the late Eighteen Eighties, Liège established itself as a hotspot for Belgian posters because of the set up of the French lithographer Auguste Bénard. This nice artwork lover in a short time combines the skills of the younger artists from Liège, Auguste Donnay, Armand Rassenfoss, Emile Berchmans and Emile Dupuis.which is able to contribute to the success of his printing firm and its recognition on the worldwide degree.

The illustrated posters of Liège from the late nineteenth century are intently associated to native historical past: they bear witness to quite a few every day occasions in fields as numerous as artwork, journey, tourism and promoting. They characterize historic information of nice significance.

The particular profile of Auguste Bénard, his creative sensibility, his style for magnificence, the rigor of his work as a lithographer and his human qualities place him because the forerunner of a brand new fashion within the subject of printing.

The exhibition highlights paperwork from Bénard’s printing press or the manufacturing of those artists – posters, menus, bibliophile books, illustrations – and numerous objects associated to engraving methods held within the Heritage Funds and Cupboard des prints de la Ville of Liege.

Auguste Bénard (Paris 1854 – Liège 1907)

Gifted with a fantastic mastery of engraving methods, Auguste Bénard arrived in Liège in 1873 to hitch the Dessain publishing home, first as a lithographer, then as director.

In 1887 he established his personal printing home at quantity 12 rue du Jardin Botanique and created the “Caprice Revue”. In a short time, with rising success, the printing home moved to rue Lambert Le Bègue, quantity 13. The brand new premises have been designed by the architect Paul Jaspar (1859-1945) and outfitted with trendy gear, significantly appropriate for many giant codecs.

Due to the modernity of his installations, the consistency of his work and his creative sensibility, Auguste Bénard, surrounded by the rising technology of Liège artists, positioned his printers as one of many first in Belgium and gained worldwide recognition within the subject of lithography, artwork books, bibliophilia, but additionally and above all promoting posters .

The printing home on rue Lambert Le Bègue, which was taken over by Armand Rassenfosse and Emile Dupuis after his demise, continued to function till 1970.

Round Auguste Bénard are proficient artists from Liège: Auguste Donnay, Armand Rassenfosse, Emile Berchmans and Emile Dupuis

Auguste Donnay (1862-1921)

Auguste Donnay was born in Liège on March 22, 1862, rue Saint-Jean-en-Isle. He was barely 5 years outdated and befriended his neighbor who grew to become his classmate and confidant, Armand Rassenfoss. In 1879 he enrolled in night drawing courses on the Royal Academy of Wonderful Arts.

Donnay is launched to lithography by his pal Rassenfosse. From 1888, the trio of Rassenfosse, Berchmans and Donnay produced posters for Auguste Bénard.

Appointed professor of ornamental arts on the Academy of Wonderful Arts in Liège, Donnay started a course in decorative composition in 1901.

A draftsman, panorama painter or poster artist, Donnay excelled in a number of fields. His work is fixed, particularly in illustrated themes and his influences. Within the context of cultural emulation within the late Eighteen Eighties, Donnay was certainly impressed by Symbolist kinds and themes. Wavy feminine silhouettes, winding timber, Japanese curiosities… So many options expensive to symbolists.

Armand Rassenfosse (1862-1934)

Armand Rassenfosse is a draftsman, engraver, painter and poster artist from Liège born in 1862.

From 1884 he visited Adrien de Witte, a professor on the Royal Academy of Liège, who acknowledged his expertise and suggested him to not pursue an instructional training. Underneath his steering, Armand Rassenfosse, but additionally Auguste Donnay, Emile Berchmans and François Maréchal discovered numerous drawing and engraving methods. Rassenfosse participates within the artwork basis “La Wallonie” directed by Albert Mockel. He printed a number of illustrations within the satirical journal “Le Frondeur” and just a little later in “Caprice Revue”.

Like Félicien Rops, whom he met in Paris, Armand Rassenfosse has ladies as his favourite topics. He likes to characterize them from all social backgrounds: staff, hiercheus and retailers, but additionally the bourgeoisie. He likes to painting the plasticity of girls’s our bodies.

From 1890, Armand Rassenfosse began his creative profession. He joins forces with the printer Auguste Bénard and collaborates with Auguste Donnay and Emile Berchmans. He turns into the administrator and director of the printing home. It’s a key component within the creative growth of the home. He found lithography in Bénard’s printing home. It produces posters, but additionally numerous typographical ornaments.

In 1925, Rassenfosse grew to become a member of the Royal Academy of Sciences, Letters and Wonderful Arts. In 1934 he was appointed head of the positive arts class on the Royal Academy. He died the identical 12 months on the age of 72.

Emile Berchmans (1867-1947)

Emile Berchmans was born in Liège in 1867. A painter, engraver, lithographer and etcher, he developed a strictly ornamental fashion. His posters are influenced by Japonism.

Emile Berchmans, flooded with an inventive environment since childhood, entered the Academy of Wonderful Arts in Liège in 1882. It was on the Academy that he met Auguste Donnay.

After finishing his artwork research, he discovered numerous engraving and illustration methods below the tutelage of Adrien de Witte with Auguste Donnay, Armand Rassenfoss and François Maréchal.

In 1888 he entered the studio of Auguste Bénard, for whom he first produced nameless posters within the firm of Armand Rassenfos. He additionally contributed to the illustration of the “Caprice Revue” right now.

Within the Eighteen Nineties, because of the collaboration of Emil Berchmans, Armand Rassenfoss, Auguste Donnay and the printer Auguste Bénard, avant-garde poster artwork grew to become well-known in Belgium. As a poster artist, Berchmans expresses himself with nice moderation of means, clear line drawing, with intensely coloured surfaces, straight impressed by Japanese prints. Berchmans’ posters present a deep sense of magnificence and concord.

In 1930, he was a member of the organizing committee of the Worldwide Exhibition in Liège.

In 1934, Emile Berchmans left Liège for Brussels. There he ended his days and died in 1947 on the age of 80.

Emile Dupuis (1877-1956)

Emile Dupuis was born in Orléans on February 21, 1877.

He moved to Liège in 1902 on the instigation of Auguste Bénard. He grew to become the director of the drawing and lithography workshop of the well-known printer.

Emile Dupuis is likely one of the few artists in Bénard’s neighborhood who guess every thing on the manufacturing of promoting posters. His quite a few productions are rapidly profitable. His illustrations are artwork nouveau. He’s significantly influenced by Mucha and Armand Rassenfosse. He created plenty of posters and gained a number of competitions, together with one for the World’s Truthful in 1905. He devoted two posters to it, one in every of which gained first prize and represented the occasion in Belgium and overseas. Common exhibitions, prestigious occasions, have been meant to advertise the area. Posters performed a giant position there, bringing in plenty of site visitors.

He returned to his son in France in 1940 earlier than lastly returning to Liège the place he died in 1956.

Patrimonial funds

The Heritage Funds, which opened in 2021 within the block of Saint-Georges, are a part of the museum entities of the town of Liège.

After full reconstruction, the collections of three departments are saved on an space of ​​1,500 m²: the Ulysse Captain’s Library, the Middle for Youth and Graphic Literature (ATÚ) and the Museum Documentation and Analysis Middle.

With greater than 500,000 paperwork, this huge literary, creative and scientific heritage is accessible to everybody. The topic of research and analysis is geared toward all audiences and participates in cultural life by actions that convey it to life: exhibitions, visits, occasions, coaching.

Captain Ulysses’ Library

Since its first main bequest – in 1871, of 11,000 paperwork forming the collections of bibliophile Ulysse Capitaine – the library has collected, preserved and made accessible to the general public works of curiosity to Liège – printed matter, manuscripts, pictures, prints, posters, printing, maps and plans – from the thirteenth century to current. Its quite a few collections, that are repeatedly up to date, mirror historic and up to date productions and provide a novel showcase of the historical past and cultural lifetime of Liège. The brand new fund devoted to comics heralds an acquisition and growth coverage particular to the ninth artwork.

Sensible info

Patrimonial Funds – Féronstrée, 86 – 4000 Liège
Free entry | Monday to Friday from 10:30 a.m. to five:00 p.m.
Teams after reservation – +32 (0)4 221 94 72
Zm9uZHMucGF0cmltb25pYXV4QGxpZWdlLmJl – www.lesmuseesdeliege.be

Auguste DONNAY, in “Caprice Revue”, Liège, Bénard, 1887. Coll. Heritage Funds – © Metropolis of Liège

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